Review: “Guardian” (Proxy #2) by Alex London

*The following fanart belongs to their respective artists.

Let’s revisit a world I’ve grown fond of since finishing “Proxy” over a month ago, and that is Alex London’s sequel called “Guardian”. Before I begin, I should warn readers that despite everything I could, there is no way I can explain my thoughts on “Guardian” with bringing up significant plot details that occurred in the last book. It may not seem like a big deal to you guys if you haven’t read it, but believe me: I cannot talk about this novel without bringing up “Proxy” and the ending. With that said, what are my thoughts on the sequel of a young adult book I’ve grown to love?

SPOILERS IN THREE…

SPOILERS IN TWO…

SPOILERS IN ONE…

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Review: “Breaking Sky” by Cori McCarthy

If you ever grew up in the 90’s and early 2000’s like I have, you might also look at fighter-jet/plane action movies like “Top Gun”, “Sky Captain and the World of Tomorrow” or even a bad Michael Bay film like “Pearl Harbor” the same way I do. They are fun and seem like okay films, but there comes certain times where you want to see yourself in a jet or fighter plane like an action hero. With “Top Gun” I remember the video game more than the movie, since it focused more on interactions with characters rather than dogfights.

In Cori McCarthy’s “Breaking Sky”, it feels more like a futuristic “Top Gun” if the setting and characters were more interesting. Is it a good young adult book though, as well as a good thrill for literary thrill-seekers?

In the far future, it is the Second Cold War (technically aren’t we in one right now?) and  Continue reading

Review: ‘Username: Evie’ by Joe Sugg

Okay so this week’s read is a recent one you’ve probably never heard of called “Username: Evie”, but you probably know the author and his team. From what I know, the author of this is a new one. His name’s Joe Sugg, though most of you better know him as the British Youtube personality named ‘ThatcherJoe’.

And with him to help make this comic come to life are the ‘Sugg Squad’, consisting of Amrit Birdi, Matt Whyman, Joaquin Pereyra, and Mindy Lopkin. Looking these guys up as well as Joe Sugg, I never would’ve guessed right away he wrote comics, especially with the art style involved. . And after finding this at the local book store, I decided to give it a quick read and honestly?

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Review: ‘Willful Machines’ by Tim Floreen

Science fiction novels involving machines gone astray is practically a dime a dozen, from Isaac Asimov’s classic short stories to works such as ‘The Matrix’ franchise turning AI entertainment into a clichéd genre. In almost every fictional work, there’s always an innocent AI, a prejudiced character that sees the AI as an abomination, and a heroic bystander who will end up choosing between humanity or the AI (or heck, even destroying the AI to save the world). There’s more variety to other works, but to me that’s the basic gist of AI in science fiction.

So how does new-coming author Tim Floreen make his latest book ‘Willful Machines’ more of a diverse addition to the genre? Making the main character gay of course.

Interesting choice.

It is the (obviously not very) near future, where the world is becoming more obsessed with technology. After a newly created AI name Charlotte escapes destruction via downloading onto the internet, she begins a campaign of cyberterrorism on America. Her demands? Release her other robotic counterparts and let them live equal to humans.

Years later, a new American president has been elected under a new political party that is against AI and values traditional values. Things get complicated though when it is believed that the president’s son, a closeted (and once suicidal) robotics student named Lee Fischer, may be Charlotte’s next target. With only his gruff bodyguard and his best friend at school, Lee doesn’t know who to trust with his life (and secret), probably not even Nico Medina, the new boy in school he has a crush on.

Obviously this is a weird setup for a story the more you think about it, hell Kirkus Reviews called it a mixture of ‘The Terminator’ and ‘Romeo & Juliet’, which I can honestly say best matches the description of the book. It is a weird mixture, but the author of this clearly knows it and embraces the strangeness and the commentary to get out of this type of story.

Going in, the main character Lee reminded me of Caleb from the film ‘Ex Machina’, who’s a quietly meek but intelligent and well-spoken young man. He’s a loner, but not to the point of disliking human interaction. And although he still carries suicidal thoughts due to his insecure sexuality, you feel the pain and anguishing struggle.

Nico is also a very likeable character, being a good contrast to the robotic-loving Lee. He’s devilishly handsome but also so eccentric. He’s happily jubilant to breathe life, loves reading Shakespeare, and adores eating the terrible food at Lee’s school. Nico is less of a fictional character and more like the eccentric but good-looking Chilean exchange student you meet in college or a frat house. And when you put him and our main character together, their chemistry is beautiful, especially after a grave secret of Nico’s is revealed (which I won’t dare give away).

The rest of the side characters are good, especially Lee’s best friend named Bex (who reminds me of every liberal feminist you ever see at high school) and his bodyguard named Trumbull, but it is also a problem. Throughout the novel, it feels like the story wants to focus more on Nico and Lee’s relationship, and that’s fine. However, when you have a novel like this where the main character is questioning his sexuality and is genuinely afraid of what his friends and the world will think, it is necessary for us to know about the relationships between themselves and Lee. Don’t get me wrong: they do that, but not as much as I would’ve liked.

For example, there’s a scene in the beginning of ‘Willful Machines’ where Lee and his father, the anti-robotics POTUS, are meeting in his dorm room and questioning why Lee is into robotics. It is a good scene and plays out very well when he meets and approves of Nico as a new friend, but I wanted some more of Lee’s father. Despite his views and policies on family values, the President seems like a father who genuinely loves his son, and only wants what he believes is best for him. He’s kind of (more like is) the football coaching father who has a nerdy son who wants to enroll in Caltech.
Aside from, that I do love the other interactions of Lee and Nico with the other characters, even if I could’ve used a bit more.

Outside of that, ‘Willful Machines’ provides extraordinary commentary on freewill and the idea of whether or not we make choices or our choices make us. One of Lee’s teachers says this one intriguing quote about how humans are no different from machines because the choices we make are based on genetics and in our DNA. That’s a fairly good point, considering how some people believe they choose to be smart when in fact it can be due to good genes (i.e. good programming). She even goes on to say if God exists, humans may be no different from machines, and it is beautifully simple enough to understand for younger readers.

And not only is the ending of this tragic like ‘Romeo and Juliet’, but the ending leaves itself up for a good sequel I hope to read soon. I grew to adore the main couple and want to know what’ll happen.

Drenched in modern gothic storytelling and thrilling commentary on AI, Tim Floreen’s ‘Willful Machines’ is a great science fiction novel for both the straight reader and the questioning one.

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Review: “Illuminae” (The Illuminae Files #1) by Amie Kaufman and Jay Kristoff

I think it’s ironic how I have never heard of the authors Amie Kaufman or Jay Kristoff until I read their most recent collaborated novel ‘Illuminae’, but I find it to now be one of my most newly favorite novels of all time. Period. It has everything a space survival romp needs, and may have taken other ideas from popular films and games, but meshes them into a wonderfully addictive read.

This book is so good that even Marie Lu, one of my favorite authors and the writer of the ‘Legend’ and ‘Young Elites’ trilogies, calls it and I quote:

“A mindscape that you’ll never want to leave.”

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Why I hate the film adaptation of ‘The Giver’ by Lois Lowry

I’m just going to say it: I hate the 2014 film adaptation of ‘The Giver’. Good God does it feel so good to say it. Granted I don’t hate it as much as other film adaptations of other media like ‘The Last Airbender’, but I’ve been wanting to say my opinion on this for a while.

Lois Lowry’s bestselling and award-winning novel ‘The Giver’, is a childhood treasure for future fans of ‘Fahrenheit 451’ and ‘1984’ (like me). To those who’ve never read the book, it is a powerful novel set in a distant future where sameness is the rule of a Community, meaning no religion, no sex, no violence, no crime, no individuality, no risk, and even the ability to see color is gone. To do this, the Elders of the Community got rid of the Memories of humanity’s past, and giving all of them to an old man called ‘The Giver’. The main character is a young boy simply named Jonas, who is given the chosen job as The Receiver of Memory. To put it in simple terms, he is to take Giver’s place and hold the Memories, from the beauty of sledding down a snowy hill in winter to the cruel ones such as war and famine. This ultimately leads to Jonas learning the powerful message of how important suffering is to individuals and humanity as a whole. Without pain and emotions, we cannot know the true meaning and appreciation of living our lives. This rings true to adults and especially children. This novel, while not a masterpiece of writing, is a great book that introduces readers to a serious level of literature through creative writing and likeable characters.

But I digress from talking about the novel; I’m here to talk about the film made as an excuse to copy the ‘Divergent’ film trilogy. There’s the sensitive teenager that turns into a rebel (check!), an older female villain with white hair that wants to maintain the system for the sake of maintaining the system (check!), backstories that involve telling about the past as opposed to showing it in a visual medium (check!), a romantic love interest not given much screen time amid the plot (check!), and finally, CGI vehicles that look like they should be in a different movie (check!).

However, I will say that for all the things done wrong with ‘The Giver’ film, they did get the style correct, with the film slowly going from monochrome in a few ways to colorful the more memories Jonas receives. Even the rushed scenes like Jonas absorbing the memories is genuine to watch, with footage of loving families together, celebrations between groups of people, and the interactions of people with animals moving you, especially near the final scene of the film.

Second and lastly, I found the casting pretty decent. I like how Jeff Bridges does everything he can to portray a cynical but intelligent grandfatherly figure, an aging man who has all the memories involving humanity’s past. He even acts very well when it comes to the more heartbreaking scenes. Brenton Thwaites as Jonas is decent as the sensitive main character who wants to learn more than he should, and Taylor Swift as the minor role of Rosemary got her two minutes of glory, but what caught me off-guard was seeing Cameron Monaghan as one of Jonas’s friends named Asher. For a guy who’s playing the Joker in ‘Gotham’, I love seeing Monaghan portray a goofy but innocent role.

Okay, now that I got those out of the way, it’s time to talk about why I hate this movie. While decent casting and perfect visual style are important for a novel, it doesn’t excuse lacking effort.

The biggest problem with this movie involves the changes from the classic source material. In the novel, Jonas was portrayed as a naïve and sensitive twelve year-old boy, not a teenager that looks like he walked off the set of ‘I Am Number Four’. I can understand the reasons behind making Jonas and his friends older than their written counterparts, since having teenagers in a film may bring in a young adult audience.

However, the reason behind Jonas and his friends being kids in the novel is because we see them go from childhood to young adulthood. We see Jonas go through the transition of innocence in childhood to the harsh reality when he becomes the Receiver and is given memories involving atrocities committed by humanity. We see Jonas as he slowly realizes how much Sameness in his Community stole from everyone as opposed to what was gained. Jonas also matures as a young boy and breaks his barrier of ignorance to explore the world and what can be gained from the human experience. With what the film did, it’s like making a film of ‘To Kill a Mockingbird’ with Scout as a fourteen year-old; it destroys the character development.

Speaking of character development, the film feels less like a film adaptation of ‘The Giver’ and more like a summary of the novel with a length of an hour and a half. The film focuses on the backgrounds and setting more than they do with the interactions between characters, and it feels rushed in important scenes and is less subtle.

Last of all, the biggest problem of the entire movie can be summed up in one sentence: There is no villain in ‘The Giver’! The writers of the film thought creating a villain would be beneficial to the plot (and an excuse to get Meryl Streep casted). But in the book this film is based on, there is no bad guy for Jonas to go up against. Much like ‘Fahrenheit 451’ by Ray Bradbury, Lois Lowry wrote that everyone in the Community chose the idea of Sameness, and didn’t realize the cost of lacking individuality, memories, and emotions. To put a Big Brother-like villain in this novel removes the characters of their complexity and identifiable weaknesses along with their fear of suffering and individual choices, thus whitewashing the message being conveyed to the audience. I know that Meryl Streep is a great actress and is doing her best, but the villain in this makes the antagonist of Divergent look subtle and interesting.

So that’s it. These are the reasons why I have the film adaptation of one of my favorite novels growing up. If they wanted to make the classic read into a film, why improve on it like they did with filming the ‘Hunger Games’ trilogy, or make it timeless like ‘To Kill a Mockingbird’. In the future, I want to see a proper adaptation of this novel, and hopefully bring younger readers to love Loid Lowry’s novel more.

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If you have any questions or already have an opinion on the novel, feel free to leave any comments. Thanks!