For anyone who doesn’t know the name Mamoru Hosoda, he’s a critically acclaimed Japanese director whose written and made recent but wonderful anime classics such as “Wolf Children”, “Summer Wars”, and the wonderfully titled and well-known anime film “The Girl Who Leapt Through Time”, all three of which I have seen and hold dearly to my heart. “Wolf Children” is a touching story of family and coming of age (as well as a fan-favorite for furries such as yours truly), “Summer Wars” is a science fiction adventure great for watching on July evenings, and “The Girl Who Leapt Through Time” is a cult classic for time-travel stories. And later last year, Hosoda released another potentially timeless classic for anime fans called “The Boy and the Beast”.
‘God of Clay’ is the first book in Ryan Campbell’s ‘Firebearers trilogy’, and a personal favorite of mine. This is an intriguing YA(ish?) novel for those like me that love diversity, especially if it’s in African tribalism. I mentioned this book before in my review of ‘The Golem and the Jinni’, and how amazing it was in feeling like a legend or a fairytale, except it has modern story telling with fleshed out characters, a simple storyline, and a mythos that feels too genuine to be fiction. With that said, there are a few things in ‘God of Clay’ that may turn a few heads. It’s not a problem or anything, but it is worth talking about later on.
In a vast African land of animal deities and spirits, a tribe of humans have settled near the edge of a massive jungle next to their savanna home. After losing their lands to a wrathful god of fire named Ogya, they hope to start anew while praying for miracles. And in this nomadic tribe are Clay and Laughing Dog, two brothers (and sons of the tribe’s King) more polar opposites than mine. Clay devotes himself greatly to the gods and worships without hesitation while Laughing Dog believes them to be nothing but ancient legends. After both brothers make a bet that end up with Clay having an injured foot, Laughing Dog ends up being banished by his father as punishment and for endlessly mocking the gods. Clay soon becomes depressed, and prays for a miracle.
That miracle comes to him one night in the form of an anthropomorphic leopard named Doto, the son of the forest god Kwaee, who has been tasked by his despicable father into kidnapping a human and finding out why they have come to his forest. Kwaee loathes humanity, and sees them as vermin who burn and destroy in the name of Ogya. After Doto manages to convince Clay that he himself is (technically) a god, the reverent human ventures with the leopard on their journey. At first, Doto mirrors his father’s views on the human, until he begins to realize how similar he is to Clay, and that they may share a bond that transcends taboo in their world. However, little do they know that the two of them have a shared destiny that will change both them and their worlds forever.
In the three years that this has come out, I am absolutely shocked that this has not gotten that much attention or reviews by other critics. Granted it isn’t published by a massive publishing company, but it doesn’t excuse the fact that this is an intelligently written book that I frankly believe deserves to be adapted into a film someday (I said it, so believe it!).
Let’s firstly talk about the two main characters Doto and Clay. Clay is presented as a meek but confident human who worships his gods with great devotion. He may not be strong or intelligent in the wilderness, but he’s very optimistic when he wants to be. This highly contrasts to Doto who is basically a self-righteous little child that sees Clay as nothing more than subordinate. Even so, he has this fragile belief that he’ll gain the love and attention of his uncaring father by following his bidding. This allows us to understand his mindset and know why he acts the way he does toward Clay, and we begin to warm up to him more as the both of them tear down the barriers of god/mortal to survive on their journey. This eventually leads to both the leopard deity and human mortal wondering why there’s a divide between gods and humans and if it can and should be broken.
Laughing Dog’s story is also very wonderful to read. Here we have a young man who’s convinced that the gods are nothing but myths and legends, and is angered and bitter that the people and elders of his village do not see his point of view. However, he’s not a stick in the mud or an asshole; you understand that he only wants to help his tribe survive in the harsh environment and sees the reliance on gods as an obstacle for progress towards a better life. What I love about this is that Laughing Dog isn’t a one-sided villain who hates religion for the sake of it, he only wants his tribe and the rest of humanity to rely on themselves and not in faith. ‘God of Clay’ wonderfully touches on issues such as the separation of church and state, belief vs. faith, tradition vs. change, and it makes you question (in the words of the novel):
“How far would you go to follow your gods? And how hard would you fight to defy them?”
Much like another small personal favorite of mine named ‘Things Fall Apart’ by the late Chinua Achebe, ‘God of Clay’ makes itself timeless and beautifully descriptive by telling the culture and daily life of this tribe, which it helps us connect to the characters. Campbell even incorporates actual African tribal culture into their world. For example, Clay mentions to his companion that whenever a woman gives birth, it’s tradition for her to name the child after the first thing she sees. Reading the novel, you hear every mosquito buzz by your ear and feel the heartbeat of the African landscape through every page that your fingers touch. Combine all of that with a good plot and complex characters, and it’s an addictive read.
Before you go buy this book (which I still highly recommend), I should probably warn you of a scene that comes up later in the book. It’s not a major spoiler, since it is highly hinted at early on in the novel, but this may be a huge turn-off for a few readers. Remember how I mentioned that the main character’s bond transcends taboo in their world?
See…Doto and Clay have a physical attraction for each other. Yes, a physical attraction between a walking-talking leopard deity and a human. There’s especially a scene in the third act where they get sexually intimate, but only for half a page. Going in, I didn’t know and thought it’d be a general friendship, but Ryan Campbell went the extra mile. And honestly, it could’ve been kept hidden, but I didn’t mind there being a romantic relationship between Doto and Clay, since it makes them even more interesting and makes you wonder if gods in their world are allowed to fall in love with humans, especially if both of them are male. Did a sex scene need to be in there? Probably not, but it didn’t last a whole page and I’ve read MUCH MORE mature content that’s allowed in school libraries.
Overall, ‘God of Clay’ is a perfect novel for the bookworm interested in cultural commentary and the perfect novel for fantasy-lovers. With a twist on African lore and a fictional realm you’ll never want to escape, go read Ryan Campbell’s first book in surely a phenomenal trilogy.
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It’s October, and let’s celebrate Halloween with a book about Wiccans and battles against the forces of evil. If you remember my first review on Reader’s Boulevard, I praised Evan Michael Martin for his ‘Sorceress Rising’ novel, and that I wanted to get my hands on the sequel. I ended up getting my wish with ‘Sorceress Revealed’, and even some new surprises regarding the Clio Boru series.
Scott Westerfeld is a genius. Once in a while I come across a novel that cleverly blends two narratives in a unique way; however, Afterworlds has taken this to a whole new level.
Our first character is Darcy Patel, a teenage girl who is excited and terrified that her first novel, coincidentally named Afterworlds, is going to be published. She quits college, and while experiencing apprehension about having her book edited and published, begins dating another writer new to the scene. I won’t tell you who, because, honestly, you won’t expect it.
Then we have our second main character, who is another teenage girl simply named Lizzie. After a near-death experience during a terrorist attack, she realizes she is what others call a “psychopomp” – a spirit guide who also acts as a grim reaper for ghosts. Enter Yamaraj, a Hindu boy who protects souls from rogue reapers and evil spirits.
What do these two narratives have in common? Lizzie is the main character of Darcy’s soon-to-be published novel.
Afterworlds is one young adult novel that all writers should read. It vividly shows the stress and fear involved in the complicated process of having a book or story published.
I also enjoyed the narrative structure. It’s like watching Suzanne Collins as she writes the first Hunger Games book, but both narratives are entertaining enough to keep you interested.
The chemistry between Yamaraj and Lizzie seems somewhat flat, mainly because they don’t see each other very much. However, you can make a constructive argument that Westerfeld wrote it that way to show how much Darcy can improve.
Either way, I never got bored. If Afterworlds sounds intriguing to you, check it out and feel what it’s like to step into the shoes of an author.
On a side note: I had this review published in the nationwide magazine Teen Ink, which is copyrighted under my alias DomusVocis. Here’s a link to it: http://www.teenink.com/reviews/book_reviews/article/745913/Afterworlds-by-Scott-Westerfeld/
If you have any questions or already have an opinion on the novel, feel free to leave any comments. Thanks!
‘Sorceress Rising’ is a novel that deserves to be my first reviewed on here, considering it is the most recently published book I’ve read. The author’s name is Evan Michael Martin, and this novel is the first in a series he plans to have published. At first glance, it seems like an average fantasy novel, but the plot, atmosphere, and execution hooked me in for the most part like a prey in wolf claws.